Tag Archive: The Simpsons


This post is an outcome from getting inspiration from a post by Missmagic girl, who listed her favorite couples from literature. It was a fun blog post, so thought that I could write my own version for this blog. Unfortunately I couldn´t quite make a top ten list from literature alone (I very rarely enjoy the romantic plotlines in novels), so had to resort to films for help. But without further ado, let´s get started.

1. Peeta Mellark and Katniss Everdeen from “The Hunger Games”-trilogy by Suzanne Collins: This relationship works partly for two reasons. One is that it is slowly built up during the course of all three novels. The second is that while Peeta is profoundly kind and nice, the two younglings still are portrayed in a realistic fashion of occasional resentment and confusion, balancing these emotions with altruism and understanding. Both characters are also quite likeable, and the love story is also enjoyable for deconstructing our society’s ideas on masculinity. It´s just pleasant to have a relationship built on mutual trust and honesty, and Peeta´s overall kindness was just a refreshing form of romantic lead when I read it nearly four years ago. (I had gone through high school being frustrated at the so-called broody bad boys that was offered in young adult media back then, so the contrast for me personally was wonderful).

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2. Ron Weasley and Hermione Granger from the “Harry Potter”-series by J. K. Rowling: Total honesty, during the whole course of my adolescence I was rooting for these two to get together. It was a big celebration when, in 2008, I finally finished “The Deathly Hollows” where they were shown getting together. Their bickering is fun, as well as their tender moments being very believable. Most fictional relationships are often quite filled with angst, or are sappy and are unrealistically tension free; Ron and Hermione, like Peeta and Katniss, however are able to both argue with each other, while simultaneously having enormous trust and faith towards each other. Finally, as a plotline, it was quite clever of Rowling to have Hermione to end up with Ron, a deuteragonist, since the cliché is often that the most prominent female character would end up with the stories hero. The relationship is subversive in structure and honest in depiction, and as a bonus quite cute.

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3. Ronja and Birk from “Ronja the Robbers Daughter” by Astrid Lingren: While technically only remaining very close friends in the novel, the romantic subtext is quite heavy. The narration implies that due to both Birk and Ronja being roughly 12 year old, they naturally don´t quite understand romantic love yet, but as they get older they might end up getting a relationship upgrade. Yet even if the romance is just subtext, Ronja and Birk have a quite dramatic and powerful relationship. First they resent each other due to their parent’s disagreements, then they become such close friends that they find the courage to stand up for each other even if it results in their parents disowning them. While being forced to live alone together in the dangerous wild, it is proved that the duo make quite the team. Ronja´s and Birk´s friendship, and possible future romance, is embodied in fierce loyalty, and regardless of how the reader sees the implications of the relationship, is hugely touching.

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4. Petite/Åsa and Torfinn from the “Vikinga”-trilogy by Maj Bylock: In these historical children´s books, we follow a young French girl who is abducted by Vikings and made a slave in Viking era Sweden. She escapes, is adopted by a kind couple, and grows up to become willingly engaged to a young man who himself wants to become a Viking. As a child I found myself surprisingly invested in this romance, since it raised questions of how one views themselves if they marry a person of questionable ambition, and how much one should change for their significant other. There will be no spoilers in case anyone wants to read these books (it is recommended), but let´s just say that the conclusion that the couple comes to at the end is quite heartwarming, making a sacrifice on both ends. Compromise is something that relationships truly need, but few fictional couples portray that, which I guess is why this couple actually did capture my interest as a kid.

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Cover of the second book in series

5. Jelkele and Ulangalu from the fairy tale “Ulangalu”: This is a Monglian-Chinese story about a resourceful young mortal man, named Jelkele, who falls in love with a Snake spirit princess, Ulangalu. She´s essentially a snake that quite often takes human form. While the two hit it off instantly, Ulangalu´s father, the snake King, disapproves and decides to keep Ulangalu imprisoned in his home (which is essentially just a fancy cave). Jelkele decides to aid Ulangalu in her escape, and together they kill her abusive parent. While this couple´s story is noticeably more brutal then most couples´, the theme of loyalty is still quite strong in this tale. And while most (western) fairy tales would end up with the guy single handedly saving the princess, this tale ends with them charging the villain-father together. Like Ronja and Birk, they make a great team, and work off each other to make the best of the situation. Ulangalu, when not given the right to choose, gives herself agency. Just an overall nice, if a tag violent, story.

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Image from a similar chinese folklore, “Madame Whitesnake”

6. Kien and Phuong from “The Sorrow of War” by Bao Ninh: Just as a heads up, this novel is really intense but really, really heartbreaking. Kien is a former soldier for the North Vietnamese side from the American/Vietnam War who suffers from severe Post-traumatic stress syndrome, while Phuong is his former high school sweetheart. The novel goes back and forth in the narrative, showing the horrific times of the war and the propaganda for the war both before and in its aftermath. The romance is shown in a similar fashion. Kien is idealistic and shy, Phuong is energetic and daring. Later on, Kien is disillusioned with life in the aftermath of the war, while Phuong attempts to help Kien and resolve his emotional and intellectual dilemmas. While Kien´s problems prevent the couple from remaining together, their interactions are quite romantic. Phuong is quite straight forward in her opinions, but Kien doesn´t mind; in fact he always considers what she says. Phuong empathizes with Kien, and is much more sexual than him. But most of all as a reader you really feel that they love each other, but after how things have gone about in the world it is sadly not possible for them to work it out. While many War novels depict these kinds of scenarios, it is few that are this devastating to read about.

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7. Toni and Maria from “West Side Story” (1961): A New York, musical version of Romeo and Juliet does not only have great songs, but a surprisingly good chemistry between Natalie Wood (who plays Maria) and Richard Beymer (who plays Toni). Beside the chemistry, the couple, despite suffering from Insta-love, is well written ground for interplay of an amorous pair. They are playful, overly sappy in dialogue, impatient and forgiving. My favorite scene with them is when they imagine getting permission from their parents to get married and make up silly dialogue towards mannequins that represent the parents. It´s silly, but sweet. It is a perfect instant of showing and not telling; the filmmakers show the couple as getting along and enjoying each other’s company, instead of constant flowery speeches of eternal love.

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8. Jack Skellington and Sally from “Nightmare before Christmas”: Once more, what makes this couple great are the characters and how they interact. Sally is wise and brave, Jack is passionate, ambitious and energetic. They complement each other nicely. While for the most of the movie Sally believes her feelings for Jack are unrequited, the ending of the film features by far one of the most romantic getting-together scenes ever made, period.

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9. Balto and Jenna from “Balto”: One of the reasons this couple is so intriguing is that unlike a lot of children´s films, the protagonist Balto´s love interest Jenna is interested in him and knows he´s a decent guy from almost the beginning of the film. The reason for them getting together later is because of a tuberculoses outbreak, which is endangering the town’s child population including Jenna´s owner. This works in the films advance, since the film is more about Balto, who´s half dog and half wolf, coming to terms with his own identity by using both of his dog and wolf traits to bring the needed medicine into the town (through his sled pulling skills). Balto and Jenna, like a lot of couples on this list, come to each other’s aid when needed and Jenna believes in Balto when none of the other dogs do. The film keeps their story simple, which works perfectly. It´s just a story of two generous, kind dogs who find each other, nothing more grandiose needed.

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10. Homer and Marge Simpsons from “The Simpsons” (pre-season 18): Truth be told my original pick was another relationship based on subtext, so I decided to go for a couple that´s explicitly in love but is a relationship which is both complex and enduring. Homer, despite his stupidity, does truly love his wife and kids, and Marge loves Homer irrespective of his many and overt vices. In several episodes Homer works strenuously for his love of the family. And even when Homers flaws overwhelm the family, prompting Marge to get angry and temporarily leave him, he respectfully lets her and considers why she is angry with him. Marge always defends Homer to her sisters, and is shown to be a good listener towards Homer. While Homer drinks too much and does mistakes, they as a couple find ways to make things work. Even if they are perhaps a bit of the typical screw ball family, the Simpsons are a family that sticks with each other, and despite their problems love each other dearly. This bonding and devotion, in its self, makes them deserving of being one of the most iconic couples, as well as family.

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Honorable mentions:
R2D2 and C3PO from the “Star Wars” franchise: …What? Don´t look at me like that, they are totally meant to be a couple! On top of that, their bickering is legendary and their bond is unquestionable. One of the best written lines in “A New Hope” is when C3PO says, before R2D2 has to go off on the mission to blow up the Death Star with Luke is: “Promise me you´ll come back, won´t you R2? Because if you don´t my life will be boring. You don’t want my life to be boring, do you?”. That line right there is a better declaration of love than Han´s “I know” and everything that was written between Anakin and Padme, let´s be honest.

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Leslie Knope and Ben Wyatt from “Parks and Recreation”: Not much to say here but that Ben is a very sweet person, Leslie is also very kind, together they are just adorable.

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Gabriel and Batsheeba from “Far from the Madding Crowd” (2015 film adaption): A slow burn romance, but, therefore, all the better. Both Gabriel and Batsheeba are power focuses of activity, while leaving Batsheeba to her stubbornness, and Gabriel his honest kindness. Just watching them grow closer and remaining friends until the end where they decide to become a couple is a moving journey. Plus, Gabriel is not brooding at all, a huge plus in my opinion.

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So those are my picks in this category. I´m going to do another second list along these lines, but with focus on Interspecies couples. So if anyone has some suggestions, feel free to comment, or just comment if you have any other favorite literary or otherwise fictional couples!

(Spoilers, dear readers)

One of the newest “The Simpsons” episodes, “Brick like me”, was an experimental episode which was mostly Lego based animation. It was a clear and unashamed reference to “The Lego Movie”, as it copied the film’s formula style and message. It was an interesting idea, but poorly executed. For one, the episode wasn’t brave enough to just fully center on Legos; large parts of the episode were still animated in the traditional Simpsons Style. The episode was lacking in jokes, and much of the characterization (consistent within the show’s trajectory) was nonsensical. For instance we are given a joke which implied that Homer was used to being sexually rejected within his marriage, this comes off as bizarre to those who have been following the show as many episodes have actually portrayed Marge and Homer as quite happy (and playful) in their sexual life. This was of course one of the new writers’ many jokes where women are portrayed as unfair shrews (whose supposed “horrible actions” stem from the fact that they don´t do whatever their husbands wants. This is a problematic portrayal of marriage since it implies that a husbands desires are more important than the wife’s comfort zones), despite it going against the Simpsons female characters established personalities.

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In another episode of this new Simpsons trend of belittling women (and their concerns and struggles) we find a scene where Lisa complains about Christmas gifts being too commercial and that she intends to buy fewer, but more significant presents for her family. Millhouse responds to Lisa´s plan by asking if she’s doing so merely to make herself feel good. Lisa then lectures Millhouse angrily that women only want to be listened to and heard, but never really questioned about what they say. This is mere reiteration of the stereotype of the babbling and empty communication of women. This is a sad dismissal- and not a funny one – of the concerns and thoughts of Women, who have been kept out of the public sphere of debate and discussion and now want places and relationships where they can be heard and taken seriously within dialogue. Lisa, while at times a bit arrogant, has listened and learned from men’s critiques many times. One instance which comes to mind, and which informs her character for many of the shows that follow, is the episode “Lisa the vegetarian” which finds Lisa taking Apus words of tolerance towards meat-eaters to heart. Another episode shows Lisa deciding to celebrate Christmas with her family, despite her being a Buddhist, after discussing and contemplating Belief and Celebrations with her Co-Buddhists Richard Gere, Lenny and Carl.

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The new writers are more concerned with their abilities to make sexist jokes than to capture the lovable, progressive story lines that made Simpsons great and notably Lisa a Standout in her stances to the male status quo. Not only did the episodes of the past “Simpsons” deliver great political satire, brilliant plots and subversive storytelling, it was also in fact one of the few shows that depicted both its female and male characters as complex and fully-realized human beings.

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This dismissive inclination towards women is best captured in the episode “Brick like me’s” (Season 25) last few minutes, when Lisa goes to see “The Survival Games”, a parody of Suzanne Collins “The Hunger Games”. The problematic depiction of the books and films by this episode lies in that the main characters are portrayed as being solely interested in nothing but a love triangle between the female protagonist and the two perfect boys vying for her love interest. This is compounded when we see Homer viewing and complaining that the film is not violent enough (despite a 12-year old child being paled to death and one of Katniss’ love interest being nearly whipped to death, to name a few gory things from the films and books). Marge hushes Homer since she wants to pay attention to the heroine trying on dresses.

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If anyone has seen the films or read the books, they will be able to tell that the writers of “Brick like me” have not the slightest clue of the actual content, intention and trajectory of both the Book and Film Series (and its very odd given the Characterization of Liza that she wouldn’t “understand this intention of the Author”) . The love triangle is nearly absent in the second “Hunger Games” film, “Catching Fire”, and is a small portion in the novels. Suzanne Collins actually did this deliberately; Katniss’ relationship with Peeta (one of the “love interest”) is mostly for show, as it creates a possibility to survive the games. In actuality it is in fact mostly a burden for the heroine to perpetuate this facade.

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Katniss’ main goal is to protect her little sister and friends. Collins depicts Katniss as someone who has little option than focusing on survival of self and family, and romance must take the back seat to the important realities of life. When Katniss is forced to try on different dresses, she is shown as extremely uncomfortable and emotionally out of place in both the book and the film series. In the books, she states that she has zero interest in fashion and clothes. She feels objectified and humiliated while forced to dress up in a mandatory show before the actual killing begins. The novel devotes the majority of its time to her hunting skills, her intelligence and how she solely rescues her entire family from starving to death. But since “The Hunger Games” has a female protagonist, the writers of “Brick like me” have decided, without actually getting familiar to the subject they ridicule, that the main protagonist being a female must be focused on boys and dressing up (fantasy). By also having Homer, while watching the film (some rows behind Lisa, but with Marge in attendance), complaining that he hasn’t got to see kids fight to the death and that’s all he wants, the writers continue their blind denial of the main point of the whole franchise: This Series of Katniss is a critique of our cultures obsession with violence and disregard for the fellow person. That the children are sent to die for entertainment is supposed to be a horrific dystopia – not something the viewer is meant to enjoy.

Additionally Katniss is the True Human and therefore is the outsider to the Political and Cultural oppressions. The fashion scenes are also a satire of that very culture of oppressions, both legally and socially, which the “The Hunger Games” series resist. Katniss’ description of the fashion show can be summed up by Katniss seeing it as form of distraction; an opium for the masses. The short scenes of Katniss trying the dresses are not for eye candy.

The fact that “Brick like me” ignores the social and political commentary that exists in “The Hunger Games” seems to be solely because the protagonist is a girl and that the fan base consists of lots of young girls and women. The new “Simpsons”-writers don’t critique anything that really happens in the films and books; they taint it for being what they consider “girlie”. They ignore the male fan base that the franchise has also accrued, actually implying that such a fan base doesn’t exist by having Homer complain non-stop. This is misogyny, plain and simple. The writers dismiss that a woman writer can actually write novels that tackle political issues such as poverty, disability and political oppression. They dismiss that despite the protagonist being female, she is not obsessed with romance. In fact Katniss’s lack of interest in romance is part of what has made her into such a feminist icon; to have a female protagonist prioritize other things than dating was seen as a breath of much needed fresh air to many female readers. And they dismiss that boys and men can enjoy media aimed at young women. It implies that by being female centered, it is automatically shallow and empty.

It is a great shame that women and girls as consumers of culture are still looked down upon and ridiculed due to their gender.

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This is not to say that all culture aimed at women has always been good; or have avoided the misogynist, “Twilight” and “Fifty Shades of Grey” for instance do deserve to be critiqued for their romanticizing abuse and their echoing of traditional gender roles. Even the “Hunger Games” films can be critiqued for whitewashing characters and keeping characters able bodied when the book described them as disabled. But no culture should be critiqued solely for centering female characters and for being loved by female consumers; it is shallow, sexist and shows a wilful ignorance. Even worse this ignorance goes, in fact, against what “The Simpsons” used to speak and stand for. Lisa was never ridiculed for her interest in Barbie dolls and ponies, despite being what our society considers “girly” interest.

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Why have the writers suddenly changed their tone and start to openly mock women who consume culture, when in the past this was strictly averted? One can only wonder.

Christmas is on the way, so I decided to do a post with a theme for the holiday. A common thing for the holiday’s is one will write about their favorite films centering on Christmas, but I tend to enjoy such subject mattered cartoon shorts slightly more. Thus this article will feature some of my favorite cartoon Christmas specials and an explanation of why I am fond of these particular shorts. Most of these are episodes from shows I enjoy watching, but not all.

“For Whom The Sleigh Bell Tolls” from “American Dad!” – This is a pretty much hit and miss show, sliding between brilliance and dullness from episode to episode. But I can’t deny that this episode has everything I would like to see more often in a Christmas centered episode: bizarre re-telling of Christmas traditions, adventure, light social commentary, and, of course, a lesson on the importance of family union. It starts off with the father of the shows main family, Stan Smith, giving his fourteen year old son Steve a gun behind his wife Francine’s back. While practicing shooting, Steve accidently kills a man he assumes to be a mall Santa. Stan convinces his son to not tell anyone about the incident, and after Francine discovers what has happened, the whole family together buries the dead man in the woods, hoping they can put the horrific accident behind them. However, they soon receive threatening letters, and after discovering the unmarked grave to be empty, the Smiths realize the man they thought Steve killed was the real Santa Claus and he’s out for revenge…
The story in its self is already surrealistically hilarious and the animation is actually pretty good, as well as the final showdown between Santa and the Smiths being a very entertaining, and visually ironic, action sequence. The twist of Santa being a crazed vendetta seeking individual is particularly delightful in a perverse sense and sends the narrative in odd and satisfying directions. There’s also a very good subplot of how Stan has to learn to accept his daughter Hayley’s new husband as being a part of the family, as well as Hayley’s new husband (his name is Jeff) divining a direction and means to respond to Stan’s mean spirited behavior. Francine is a delightful combination of a wise as well as a bit of an amoral person, and it’s darkly, painfully funny to see how Steve develops from a nerdy innocent young boy into a gun nut. Not only one of the best animated Christmas centered episodes, but also one of “American Dad’s” best episodes.

“Depth Takes A Holiday” from “Daria” – This choice may come off as way cheat to some, but Christmas is a pretty major driving factor in the only fantasy based episode from the show. The Plot centers around the unlikely event of Daria suddenly encountering Cupid, the spirit of Valentine’s Day, and a Leprechaun, the spirit of St. Patrick’s Day on her way home. They tell Daria that Christmas, Halloween and Guy Fawkes Day have all left the Island of Holidays, the resident home for all Holidays. However, since the recent runaways were the three most popular holidays, the natural order of both the High School like Island as well as the normal world have gone berserk and it’s up to Daria and her friend Jane to convince Christmas and the other popular holidays to return to their home – otherwise the world can kiss Christmas, Halloween and Guy Fawkes Day good bye.
The best thing about this episode is that it not only is a good episode to watch on Christmas, but it also serves as a good Halloween, Valentine’s Day or St. Patrick ’s Day’s episode (not to mention Guy Fawkes Day). I also like how Daria, the heroine of the episode, keeps her trademark deadpan sarcastic attitude throughout the episode no matter how weird things become (or where ever she finds herself). The whole tone of the episode is pretty cynical as well, as the major threat portrayed with a world lacking Christmas and Halloween is only the decrease of shoppers for candy and presents ( Which Daria and Jane point out is not necessarily a horrible effect for the condition in which our world finds itself). Having a whole episode about Holidays and making it entirely skeptic about the often optimistic philosophies people have about Holidays is pretty brave and a rare move and the critique of consumerism is laid out by Daria and Jane early on in the episode. Absurd and sardonically comical, this is episode is a good watch for any holiday season.

“She of Little Faith” from “The Simpsons” – This episode from the Simpsons is mostly known for the canon decision of making Lisa, the eight-year old girl in the family, a Buddhist. Lisa grows concerned that the church has grown too materialistic for her, which leads her to find a new faith in Buddhism. While this decision makes Lisa very happy, her family as well as the rest of the members of the church are greatly displeased with her new way of life, and therefore attempt to make Lisa convert back to Christianity by using Christmas as bait. As one could guess, Lisa doesn’t respond to this plan coolly…
While Christmas originally is a Christian holiday, it has become more and more of a holiday many non-Christian people could celebrate as well (I myself celebrate it despite being very much an atheist!). This episode gently and beguilingly highlight the manner in which different beliefs can come together in the spirit of fellowship and kindness which the holiday entails and which the episode “She of Little Faith” brilliantly does by focusing on Buddhism. The Episode is an open song to tolerance as a main theme which we can all free to embrace. The episode’s end is touching in how Lisa resolves her conflict with her family, showing how everyone can have a nice holiday after they decide the most important thing is love and compassion, not who you pray to (or if you pray at all).

“A Huey Freeman Christmas” from “The Boondocks” – Here’s another somewhat cynical Christmas special, but it does also feature some of the sweetest moments in the series. Huey, a ten year old who is much wiser than his young years, gets the chance to direct as well as write his School’s Christmas Play. Huey dismisses the opportunity first since he “doesn’t give a damn about Christmas”. However, after his grandfather ignores his attempt to explain the actual history of the Christmas holiday, Huey becomes determined to make the school play so people will see his vision of the holiday. He soon becomes rather obsessed with the project, causing him to lose sleep, alienates those around him, becomes a bit of “fatcat” and in the end faces an absurd charge of racism from the school staff regarding his wish to cast Jesus as black (But he is from the Middle East, Huey points out to no avail). Meanwhile, his younger troublemaking brother Riley terrorizes Mall Santa’s, as well as their neighbor Jazmine who is a devout Santa worshipper (confusing the story of Jesus with Santa’s to hilarious effect in the episode).
The episode has very sad moments, but surprisingly has quite happy and side-splittingly funny moments as well. The beginning features Jazmine having a dream of preaching the word of Santa in a gospel church, which is cute in its portrayal of childlike innocence and confusion and makes a mocking comment on fairy tales told to children. Huey’s idealism butts heads with the adult world he lives in rather roughly, but he strongly stands his ground, as his character often does in the show. It is always inspiring to watch. Robert, Huey’s and Riley’s grandfather, is shown in a rare tender moment in the episode when he tenderly carries the sleeping Huey to bed, which is a mere second long scene in the show, but still summons a “aw” from the audience. Over all, it is also honest in its portrayal of how life doesn’t always work out as we would like it to. (However, most of the characters get a happy ending, especially one of Huey’s nicer teacher’s who attempts to embrace, though a bit naively, tolerance and multiculturalism).

“A Very Special Family Guy Freakin´ Christmas” from “Family Guy” – The plot of this episode centers on the Griffith family getting ready for the Holiday, with the mother Lois doing most of the work. Peter, her husband, is not helping out much and causes disaster after disaster. Lois tries to be reasonable and level headed, but, finally, after only wanting to clean up one of the disasters thrown at her, and realizing she has no paper towels to help her grapple with the mess, Lois experiences the ultimate meltdown in one of the best freak-outs ever animated.
This episode is a pretty goofy and over the top but is a spot on depiction of all the stress and disasters Christmases, and the holidays, can sometimes contain. Poor Lois truly puts everything into these two special days (which she thinks is a time of good cheer and union), trying to make things joyous even when they take a turn for the very worst. the episode is hilarious, while addressing how unfairly all the responsibility was given to Lois to handle. This makes the ending, where things turn out for the worst for Lois but good for the rest of the family, quite bittersweet. While I do think “Family Guy” as a show can be pretty bad at times (The Series started strong n the first three seasons, but has taken a bit of a dive since), this episode is still very good and pretty unusual with it’s not quite jolly ending.

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“How the Grinch stole Christmas!” (1966) – This is one of the most famous short animated films ever to be made. Based on a book by Dr. Seuss, the short is directed by Chuck Jones (and animated in the classic Chuck Jones style!) and Ben Washam, as well as the entire script being read by Boris Karloff. Karloff’s voice is capturing, as well as the rhymes and lines used in the story being memorable. There’s also the main characters theme song, “You’re A Mean One, Mr. Grinch” which is an classic and iconic “the Villain Sucks” song.
The Story centers on the tale of the Grinch, a green creature who lives up in the mountains alone. He dislikes everything about Christmas, and therefore comes up with the plan to steal Christmas from the “Who’s down in “Whoville”. This short is referenced a lot in other Christmas specials, so if you haven’t seen this special yet, you should for the “education” (for instance, it is referenced in episodes of the Simpsons, PJ’s, South Park, and on and on).

“Woodland Critter Christmas” from “South Park” – Absurdity and winter wonder has never been mixed as magnificently as in this South Park episode! Stan, one of the four young protagonists in the series, comes across a group of cliché-like cute talking animals and gets dragged into helping them with various tasks after the female porcupine becomes pregnant despite being a virgin. The animals tell Stan that their savior is on the way. However, he must kill a mountain lion that is known to eat their savior. Stan does so, only to realize that the pregnant porcupine is not pregnant with a seed from god, but from Satan, thus making it possible for the anti-Christ to be born…
“South Park” has made a lot of great Christmas episodes, this being perhaps the funniest one. Stan’s reaction to everything happening around him is great, the twist at the near end of the episode is pretty surprising and it is packed with rich jokes. It’s also a fun deconstruction of cuteness, making the sweet cuddly Disneyesque animals malevolence and demonic wouldbe destroyers of the world. And one shouldn’t miss out on how the day is saved at the end of the episode. Just a pure enjoyable Christmas special.

So there are my favorite animated shorts with the upcoming holiday’s theme. Hope you all have a nice Christmas/Holiday Season which is upon us!

And lastly here are a couple honorable mentions of Christmas/Holiday Specials which you should see when the chance arises:

“Marge Be Not Proud” (The Simpsons) – A beautiful, beautiful depiction of Mother-Son relationships during the holiday.

“Red Sleigh Down” (South Park) – Camp, camp and more excellent camp all the way through!

Cartoons used to be just for kids, but in wake of Matt Groening’s landmark creation of “The Simpsons”, cartoons took an interesting twist: some cartoons came to be made solely for the adult audience. Since the popular recognition of the Simpsons cartoons as broadcast series have gone thought the gambit of issues from raunchy political incorrectness to slice-of-life portrayals of “the common people” and their families.

Yet what is of most intriguing issue to me, is when these series tackle the questions of gender, the place and oppressions of women, or just begun to look at the issues or questions of rights which circulate around the feminist complex.

In this post I will discuss some of my favorite cartoons episodes that (may) be feminist.

“Lisa Vs. Malibu Stacy” from “The Simpsons” (aired 1994) – Let’s start with a real classic, shall we? This is one of the very, very few episodes from “The Simpsons” which deals with gender, as well as one of the few which actually raises feminist issues. It starts with Lisa, the 8 year old daughter in the Simpson family, buying the newest talking Malibu Stacy doll (a fictional satirical doll based on “Barbie”). Excited, the young girl “gathers” all her other dolls to hear the astonishing first words of the talking Malibu Stacy… only to hear the doll say, “I wish they taught shopping in school”, followed by the doll claiming one should not ask her anything, she’s “just a girl”.

Lisa, disgusted at the sexist and demeaning message of her new doll, devotes herself to stop the production of such dolls. She visits the company to express her feelings, explicitly states to her friends that the things Malibu Stacy says are sexist, and tracks down the inventor of the original doll, Stacy Lowell (Voiced by the great Kathleen Turner). Together with Stacy, Lisa starts to make her own talking doll, hoping to make a more feminist toy for girls. The episode was a direct critic of Mattel’s Teen Talk Barbie, a toy that appeared in the 90’s, which was criticized for enforcing shameful stereotypes of women. However, “Lisa vs. Malibu Stacy” can also be seen as an attack on dolls that are marketed to little girls on a whole. As Lisa points out in the episode, girls learn through such toys to be shallow and center their lives around looking pretty and landing a man. Lisa bravely fights for change, demanding a better role model for girls, advocating for women’s right and hoping to teach young girls to be more than empty vessels.

“Breast Cancer Show Ever” from “South Park” (aired 2008) – This episode is entirely about female empowerment, pure and simple. The plot centers 9-year old Wendy, who attempts to raise awareness of Breast Cancer by doing a presentation on the subject in class. She is rudely mocked and interrupted by her classmate Eric Cartman’s* sexist and taunting remarks. Wendy enraged by the callousness of Cartman to the plight of this disease (and its victims) challenges him to fight. This episode is a remarkable depiction of a strong girl standing up against, and calling out, sexism. Cartman is portrayed in this episode as a typical sexist bully: he acts tough and is a loud-mouth, but in actuality is a coward. Wendy is also shown to be quite alone in her battle against Cartman, with little sympathy from her parents (mostly due to Cartmans manipulation). But near the end, there is one adult woman who encourages Wendy to fight the “cancer”, giving a rarely shown positive portrayal of women supporting each other. Even in the fictional world of South Park, Sisterhood is powerful!

“The Story of Catcher Freeman” from “The Boondocks” (aired 2008) – I’ll be honest, this show wasn’t always positive in its portrayal of women. But this episode is one of the most critical attacks against male centrism and patriarchy that has been seen in recent years in Adult animations. The episode is a recounting of a tale from the family-tree about a “slave who struggles and fights” for Freedom. The story of Catcher Freeman takes place during 19 century, when slavery was in full play below the Mason-Dixon line and the protagonist of the tale is attempting to slip the bonds of slavery (or not?). While the tales spun by the ancestors to the “hero” describe Catcher as a strong, avenger of the wronged who is determined to the task of freeing all of his brothers-in- bondage (and who is recounted, at times, as being a animalistic hunter with super powers) the truth turns out to be that Thelma, the famous love interest of Catcher, was the real hero.
Thelma all by herself found the strength to fight back against the white slave owners after trying to escape. She kills two men who attempted to rape her, and in a final leap of courage and honor, returns to the plantation (she originally escaped from) to organize a rebellion among her brethrens to oppose the oppressors and she, ultimately, leads them in battle to freedom. Thelma is strong, smart and a highly skilled fighter. Yet even if she is the true hero, the male centric world, where men are the ones who dominate the dialogue of history, choose to portray Catcher as the hero, which is far from the truth and it unfairly excludes the women from history as well as the present day and the contemporary context.
I have written a longer post on the depiction of women in “The Boondocks”, which you can read here.

Cathcher Freeman, the fictional version

“Stupid Spoiled Whore Video Playset” from “South Park” (aired 2008) – This episode was produced when Paris Hilton was constantly in headlines and was a new idol to some young women. In this episode, Paris Hilton arrives in South Park, causing all the girls to become crazed with the idea of mindless shopping and pointless partying. Wendy is at first appalled at the girl’s behavior, believing they’re purposely killing their brains, but due to peer pressure goes to the notoriously masochistic gay man, as well as her teachers lover, Mr. Slave for advice. “Stupid Spoiled Whore Video Playset” has a bit of a nasty title, but the episode is an interesting critic of how society favors mean-spirited and shallow women, ignoring the intellectuals, as Wendy in the episode articulates. The writers of the episode show a concern that young women are given terrible role models who do nothing but party and rely on men to “buy them things”, while actually ambitious women are viewed as strange. Parker and Stone made clear in the episode that accomplishment, struggling with thought and self-awareness are to be considered the important, something which is ultimately devalued in our commodity and idol driven culture.

“A Leela Of Her Own” from “Futurama” (aired 2002) – Honestly, it’s hard to tell whether this episode is feminist or not. So I’ll just explain why I think it’s feminist.
The episode centers Leela, who after being spotted by a sports agent gets signed on to play Blurnsball, a fictional future sport similar to baseball. Leela is excited about being the first woman to play Blurnsball on a professional team, ignoring how she obviously got the job mostly for her utter lack of talent in the sport. She is used to make people laugh, since she always hits a person in the head with her bat instead of hitting the ball. As Leela grows in popularity, she comes to believe that she’s pioneer for women in sports, but Jackie Andersson, a female star in a college Blernsball team, approaches Leela to tell her she’s actually making it harder for female athletes, since Leela’s incompetence causes more sexism in the sports community. Leela is crushed by Jackie’s words and goes about, with a sudden insight into her position in the sport, trying to approve her skills. “A Leela of Her Own” deals with the fact that there are still a lot of communities where women are seen as inferior to men and it is considered a triumph if a woman, any woman, rises to the top of a field where men hold dominance.
However, it is not always that simple: what if that woman actually makes it even harder for women to join the overly male centric clubs?
Even if it is unfair that people group all women into one category – like people do with Leela and other female blurnsball players – it’s important to discuss whether some women actually reinforce certain stereotypes of women, such as them being dumb or weak, in fields where they are already highly discriminated against. (By the way- the episodes title is a reference to Penny Marshall’s awesome movie “A League of Their Own”, which centered the first professional Baseball League in the US. Worth checking out!)

Here where my personal favorite episodes with feminist themes. Hope you enjoyed my post!

*Eric Cartman often is the embodiment of the “incorrect”, mean-spirited, capitalistic (in the pure-greed sense), immoral, prejudiced, and un-self reflective person in the South Park meta-narrative (through all of the whole series)