”Top 5 Wednesday” is a weekly event hosted by Sam from ”Thoughts on Tomes” where booktubers and bookbloggers list their top five bookish favorites. This week’s theme is favorite Non-canon ships, which means that before we get started let´s do a rundown of some terms people might not know about: Shipping (deprived from the word relationship) is, as wikipedia states: ”the desire by fans for two characters to be in a relationship, romantic or otherwise. It is considered a general term for fans’ emotional involvement with the ongoing development of a relationship in a work of fiction”. With ”canon” one is referring to the original authors confirmation, with ”non-canon” one is referring to imagined alternative scenarios by fans. In this post I will mention five couples I wish were canon, or that I wish could meet. Let´s get started.
1. Consuelo x Polleke (from the ”Polleke”-series by Guus Kuijer): This takes a fifth spot since, unlike the other ships on this list I´m not that enthusiastic about this pairing, however I do believe it would have been much more logical and interesting than the canon couple in the middle grade ”Polleke”-series (even if, yes, both girls are straight in the canon material). The ”Polleke”-pentalogy was funny, sad and dealt with a lot of heavy issues, such as drug abuse and forced marriages. Polleke is a twelve year old girl who likes to write poems, and often feels confused in a world where culture clashes are around every corner. In the series third book she befriends the Native Mexican refugee girl, 14- year old Consuelo, which the series implies fled Mexico after suffering rape at the hands of police. By befriending Consuelo, Polleke starts to become more sensitive and understanding, taking a huge step in empathy. Consuelo on the other hand is fiercely loyal to Polleke, even in cases where Pollekes boyfriend Mimoun is not. Their friendship is precious and the girls stick together through everything, more so than Polleke´s canon love interest. It is arguable possible that Polleke and Consuelo´s relationship would be more balanced and happier; Mimoun had shades of an emotional abuser, while on the other-hand Consuelo is always kind to Polleke. So if it may be humble suggested, Polleke should have left Mimoun for Consuelo.
2. Harry Potter X Luna Lovegood (from the ”Harry Potter”-series by J.K. Rowling):
In the ”Unpopular opinion book tag”-post, I mentioned that I was never that convinced by Harry and Ginny´s love story; in fact the big love story of the series seemed to belong to Ron and Hermione instead, with Harry and Ginny´s relationship feeling very sudden and out of left field. Harry seemed in fact to be bonding much more with Luna Lovegood, the quirky side character introduced in ”Harry Potter and the Order of the Phoenix”. Harry is a little confused by Luna’s odd behavior, but regardless is open-minded about her ideas, and most certainly warms up to her in a noticeable way. When he even takes her on a friendly ”date” in ”Harry Potter and the half-blooded prince” the pair turns out to have interesting chemistry and bounce of off each other in a sweet, cute kind of way. It would have also been an interesting turn of events had Harry fallen for Luna, since him marrying Ginny followed a traditional childhood romance formula. Luna, like Harry, had experienced death at an early age and like Harry, had a intriging persona. These two would have just been an awesome couple, compensating each other in a heartwarming way.
3. Emilia (from ”Othello” by William Shakespeare) x Song (from ”M. Butterfly” by David Henry Hwang):
This is a crack/crossover ship, but nonetheless their is a sense that these characters might have gotten along had they ever met. Both are snarky and cynical, yet have clear ideas about what is ”right”. Both react to a grand form of prejudice, in Emilias case she feels anger towards a world where women are seen as inferior. Song on the other hand makes it no secret that he is disgusted with the west´s exotification of Eastern culture. Both characters also express these dislikes with sharp, memorable lines, and both face abuse in their own plays (albeit different kinds of abuse). If they ever met in a ”Once Upon a time”*-type of story, it is no doubt that these two would probably click, and have much to talk (i.e. rant) about together, all day long.
4. Louhi (from ”The Kalevala” by Elias Lönnrot) x Cao Cao (from ”The Romance of the three kingdoms” by Luo Guanzhong)
Another crack/crossover ship, but also more of a ”dark ship”, since both Louhi and Cao Cao are villains. Louhi is the dreaded ruler from the north who does not hesitate to kill off men she deems unworthy of her daughters hand, Cao Cao is an ambitious but ill tempered man who while seeking power causes a lot of deaths. While clearly not good people, what is interesting is that while both characters are clearly evil, their ”evilness” is also in different ways exaggerated. In Louhi´s case, in ”The Kalevala” she is portrayed as a ruthless person but most of the time it seems like the protagonist are causing her more harm than vice versa. Cao Cao on the other hand is based on a real ruler, who modern historians claim was a fairly decent ruler by the times standard. So while I do ship these two in a villainous, dark way, I often imagine them as slightly (just slightly) toned-down villains who help each other out in climbing the ladder to greater power, scheming together how to outsmart everyone else. Both are real fighters, and together would probably be unstoppable, which appeals to lovers of a more twisted power couple.
5. Moomintroll x Gnorke (from ”The Moomins”-series by Tove Jansson):
I mentioned in a previous post that Moomintroll, one of the main characters in the Moomin franchise, was shown in the original novels as being one of the first to be able to reach to Gnorke, the scary but harmless creature that roams Moominvalley. While in the original novels Moomintroll only has a sort-of friendship with her, the japanese animated show from 1990´s did confirm that Gnorke had a one-sided crush on Moomintroll, which his friends and girlfriend tease him about. To me, this ship works for two reasons: 1. the novels are vague on the ages, so Gnorke and Moomintroll can be imagined as nearly equal aged, and 2. Moomintroll´s kind-hearted nature and willingness to help Gnorke while Gnorke in canon is clearly overjoyed by the contact leads to an interesting dynamic. Gnorke is the hopeless, odd individual in need of comfort; Moomintroll is a loving person who sees beyond what is told to him. As a couple, not only could one explore themes of loneliness and comfort and response, but also what it means that Moomintroll can go so against what he´s been taught. It has the potential for angst, fluff, a real roller-coaster of a relationship. Alas, this will forever only be in fans wildest dreams.
Fan art by Sildesalaten
That´s my top 5 non-canon literary ships, comment below and tell me some of yours!
* Once Upon a Time is an American fairy tale-retelling dramatic television series that premiered on October 23, 2011, on ABC. The show takes place in the fictional seaside town of Storybrooke, Maine, whose residents are characters from various fairy tales transported to the “real world” town and robbed of their real memories by a powerful curse. – Wikipedia
Ruby Soup with Pearl Juice 
“If Only This Place Wasn´t Such A Bad Influence”: A review of “Moomins At The Riviera” (2014)
Film adaptations are a difficult prospect. How much to keep, what will translate well enough to the alternative media, how to avoid deforming and misusing the original source and its intentions. Especially in childrens media/culture, it is common for a screen adaptation to become lighter and unnecessarily softer, removing things that would be seen as “too depressing”/”scary”. Though certain subjects, or their presentation, may be problematic for children, it is still a fact that life itself is quite messy and at times unpleasant and saying otherwise to kids is just a gratuitous and deceitful deviation from the real. On top of that, children by nature are curious and often quite philosophical, and the world being the chaotic place that it is will lead to children experiencing things like death, divorce, bullying etc. to which literature can offer help in coping and understanding these issues. This inclination goes a long way to explaining why the “Moomins”-books, that are chock-full of philosophy and curiosity, have been so poorly adapted when it comes to cartoons and films. Therefore it is no small pleasure to say that in 2014, a fantastic adaption was made of the Moomin comic strip, “Moomins At The Riviera”.
left to right: Moominmamma, Snorkmaiden, Moomintroll and Moominpappa
The Moomin series started out as novels and comic strips, created by Tove Jansson who wrote the original eight novels, and add-ons, following the Moomin family and their friends. The novels delved into a slew of issues, including death, morality, family, loneliness and middle age crises. The characters who were primarily focused on were the naïve yet kindhearted Moomintroll, the wise, gentle Moominmamma, the angry adopted sister Little My, Moomintrolls vain yet tough girlfriend Snorkmaiden, and the proud Moominpappa. The comics, outside of the novel series, were initially written by Tove Jansson, and then later were run by her brother Lars Jansson. The comic strip was massively popular in England and Japan, and is regarded to this day as Finland’s most popular comic strip. However, inside of the Moomin-fandom they are slightly controversial; some fans love them, some fans dislike them and feel like the novels are fair superior. There is also a third camp (in which I am in) that feel like the comics are at times great, at times lacking.
The animated film “Moomins at the Riviera” (2014) is based on a comic strip arch that satirized class and social norms, but the comic arch suffered from a poorly written Moomintroll – he was written as a bit possessive and unkind to Snorkmaiden in the original comic strip. The animated film adaption keeps the satirical elements, while also improving on the character development.
As the film begins, the viewer is introduced to the Moomins and their friends. Life in their valley is relaxed, tolerant, and blissfully tranquil. However Snorkmaiden reads about a fancy hotel in a magazine, and after telling the rest of the gang about the fantastic place she´s read about, they decide to embark on an adventure to find this hotel. When they get there, it turns out that their adventure becomes more of a misadventure. Snorkmaiden gets caught up in the superficial glamour, Moominpappa gets swept up in his own pride and neglects his family, and Moomintroll after seeing Snorkmaiden flirt with others feels abused and abandoned. It is only Moominmamma who keeps her head high, trying to help her depressed son and other lonely creatures at the hotel. As Moominmamma points out: “If only this place wasn´t such a bad influence on us”.
While the humor and the characters are as loveable as in their book and comic counterparts, what makes this movie a wondrous continuation of the series (and also watchable to people not familiar with this franchise) is it´s witty, intelligent social commentary. At the films beginning the viewer is introduced to an honest, straightforward narration to the family´s philosophy. This is laid out in in the story line through a brief encounter with a lively band of self-proclaimed pirates. Moominmamma mistakes their feverish search through their home as a hunt for a missing “treasure” chest of tropical seeds she had found, while, in reality, and of course, the pirates were scavenging for the booty of a chest of gold. Moominmammas honest confusion at the pirates disregard for the seeds is comical, but also speaks volumes of the alternative lifestyle the Moomins live; that is, one not consumed by wealth or focused on the materialistic.
In the film version of “Moomins At The Riviera”, while being residence at the hotel, the gang for the first time has to cope with real judgment for their ways and mannerism. They are constantly too clumsy, too obscene, they don´t have the right clothing etc. Snorkmaiden however learns to blend in and Moominpappa is befriended by man from a high class family who´s impressed with Moominpappas “boheme” lifestyle. However Moomintroll becomes more and more helpless as Snorkmaiden becomes enamored with someone else.
Scene from original comic, duplicated in film
A clear rift is driven between the individuals of the Moomin band, yet despite this wedge sundering to the group Moominmamma and Moomintroll try their best to rekindle their old life. Moomintroll tries to woe Snorkmaiden with a boat trip, Moominmamma tries to help a dog who has an unfortunate fondness for cats. In one beautifully written scene, Moomintroll falls into a deep melancholy when he once again gets dogged by Snorkmaiden and ends up just sulking by himself. Moominmamma tries to engage Moominpappa in this, telling him “our son is a little down, maybe you could give him some advice?” which Moominpappa hand waves away as Moomintroll just being “philosophical”. With such simplicity the pain of the rift is made clear; popularity and outward glamour have in fact corrupted them.
It is also in Snorkmaidens and Moomintrolls conflict where the film becomes a superior production to the original comic. In the comic strips arch, Moomintroll has a tendency to get angry when Snorkmaiden wants to go to parties and has a habit to belittle her (which he never did in the books). However in the animated film production, he supports her desire to go to the hotel and doesn´t demean her as in the comics. Additionally his jealousy is explored more as a symptom born of his insecurities in light of his girlfriend openly flirting with strangers, as well as the hotel’s general alienating nature. In other words, he is more like the lovable Moomintroll from the books, which gets the audiences sympathy even in his more flawed moments.
The film, on top of its family dynamics and life style philosophy, also focuses sharply upon the issue of class. The Moomins are read by the hotels celebrities as poor due to their lack of knowledge of fancy food, of their lack of materials and appearance. This assumption creates a hostile attitude, but also naïve admiration; Moominpappa impresses a man from a well-to-do family who wants to “suffer for his art” and live as “the poor”, however he quickly abandons this notion when he lives upon common food for a day, and endeavors to sleeps outside for one night. His one day experiment in downward mobility ends with his exclamation “I´ve lived in poverty quite enough now”. This satire of the exotification of poverty is quick biting, and spot on.
“Moomins at the Riviera” is a fantastic film that loyal Moomin-fans and casual viewers will both love. The atmosphere is gentle despite the satire, the characters are instantly loveable and the themes resonate in an international tone. A must watch.