“Family Guy” is a pretty unique animated show that awakes many different emotions in me– some very good, some very bad. The show is a true, surrealistic rollercoaster. I enjoyed the shows first couple of seasons, but honestly have hated the last couple of seasons, due to repetitive nasty hits at overweight women and badly written characters. I digress though.
The series centers on the Family Griffith, who is contain of Peter, the usually dimwitted, politically incorrect, child-like, and spiteful main star, his phenomenally beautiful wife Lois, and their three children. The oldest is the outcast, brutally bullied teenage daughter Meg, the early teen Chris who like his father is a bit slow, and the evil genius infant Stewie. The family also has, of course, a pet: the talking, wise human-like dog Brian, who this post will be about.
Brian, despite being the pet of the family, functioned as the voice of reason for the earlier years of the show. He was portrayed as a liberal, reasonable and unhappily in love with Lois as well as a bit of a drinker, though intermittently. Brian was shown on several occasions as being critical of religion, but it wasn’t until the seventh season, in the episode “Not all dogs go to heaven”, when the series finally “outed” Brian as an atheist. In the Episode, Brian, due to Meg’s sudden conversion to Christianity and attempt push to bring Brian into the “flock” of her church (and their form of Christianity), gently laughs and states: “You’re barking up the wrong tree, Meg. I’m an atheist”. When watching this episode, I was at first blush overjoyed at first at this radical act (seeing how being non-religious is still taboo on TV), but then began to reconsider what this act would mean and my first hesitations seem born out after the show’s recent episodes featuring Brian as the main protagonist which show character flaws wildly out of synch even for this genre. I cannot but wonder: is Brian really a positive portrayal of atheism? Or does his character just re-enforce negative stereotypes or images of us non-believers?
***Spoilers may be below!***
Let’s first look at how the writers of “Family Guy” talk about the experience of being an atheist in the States. “Not all dogs go to heaven” was a brilliant episode in this case, showing all the prejudice Brian meets after Meg gossips to the whole town about his atheism. Brian is not allowed to go to from such divergent venues as liquor stores to libraries, and is ridiculed on TV for being “worse than Hitler”. Admittedly, some of the discrimination may seem exaggerated; however there is something unsettlingly true in the depiction as well. To some religious folks, not believing in god is the worst possible sin, making us even worse than serial killers or mass murderers (especially if the criminals happen to believe in god). This is a pretty extreme belief and actively held by some, and which is portrayed comically in “Family Guy” when the intensely religious News-People announce Brian to be by far worse than Hitler.
Brian also gets brutally (yet only verbally) attacked by Lois and Peter after his confession. Lois states: “We believe in god in this family!” which showed how sometimes even people close to non-believers can be unsympathetic and dismissive to a theoretical structure struggled to be achieved. Brian gives even in to this pressure to “believe” temporarily, pretending to have “found god”, since he can’t take the peer pressure. But after witnessing Meg burning books about science (since she feels they are contrary to the “statements of God”) Brian gives a harsh talk to Meg, crushing her belief. The speech is devastating to Meg, since Brian points out some painful things to Meg about her life and how that is really what has spawned her beliefs. To this Brian then gives a more hopeful, comforting speech. The whole episode, in my opinion, is a perfect way of telling not only what it can sometimes feel like to be an atheist, as one can in a cartoon, but also is good in showing that Brian is a caring person, crushing the stereotype of the heartless cold atheist.
Brian was portrayed in a positive light during most of the output of the show. He had his flaws, but always came through with reason, compassion, and self-reflection underlying his thoughts and actions. It was in Season Eight where Brian started to become decidedly more odd and began a run of doing questionable things with little intellectual nuance or moral underpinnings. Take as an example of this the Episode “Brian writes a bestseller”, from Season Nine. In this episode Brian is depressed over his published novel doing so poorly, stating to Stewie that only trash literature and phony self-help books make it big. To prove his point he writes one himself and publishes it. It becomes a bestseller, making Brian famous and rich, sweaping him away to the hinterlands of fame, recognition and media adulation, and making him along the way into an arrogant, megalomaniac and mean spirited person. He comes to treat those around him as mere props to his existence (including Stewie who has facilitated his empty rise) and who seem to be considered by him now mere objects to satisfy his random and arbitrary desires. In particular harsh scenes, Brian is shown yelling at Stewie and verbally abusing him for anything that annoys him. This, in a number of painful scenes brings Stewie to tears and self doubt over his supposed lack of abilities to gratify the chance cravings of Brian.
The episode’s climax comes when Brian is invited onto “Real Time with Bill Maher”, a real show hosted by one of Americas most famous non-believers. Maher trashes the book heavily, making Brian confess that he wrote the best seller in a day, and that he doesn’t really believe in anything written in the book. Maher then tells Brian that he is the lowest of the low, since if one is going to bullshit; they should have the “honesty to stand by their bullshit”. Brian, coming somewhat back to his normal self after the harsh critique returns home where he talks a little to Stewie saying that he knows the book was dumb and his behavior inappropriate in extreme.
However, even at this point of the narrative – where a reasonable lesson has been learn and self-reflection is re-imposed by the awareness of the emptiness of his fame – Brian openly admits he will not apologize to Stewie for mistreating him. Here Brian is made into a truly horrible person, who not only doesn’t apologize after treating someone so poorly, but also a person who is actually so arrogant he refuses to learn from mistakes.
Brian at this juncture of the show (and others which are embed in these later seasons, and which can be recounted, but will merely “add” to the direction being taken in this case episode presented here) is made into such a terrible person that it is quiet imperative to reconsidered whether it is good his character is one of the few out-ted atheist characters on TV or not. Since there are so few atheist protagonists around, it is important that at least some of the more famous ones would not strengthen the stereotype that we’re morally-vacuous, empty-elitists, and intellectually-devious self-gratifies which no genuine concern for others beyond the narrowest of evil self-interest who wish to contaminate and spoil. Brian, in this episode, in bodied the stereotype to a max.
Brian was also shown to perhaps not truly stand for any of the opinions he’s expressed in the show, since he abandoned them all in the episode “Excellence in Broadcasting”. Brian, in the episode, becomes a republican and so conservative, he actually tries to go and waterboard – torture – a Democrat (the” supposedly” more left-leaning, worker-supporting party in the United States). Lois pinpoints in the episode that Brian has a need to go against the stream, to always have the more “unpopular” opinion. If that is the case, and Brian really gets all his opinions that way, does that mean he is only an atheist since they are a minority? Not only does this make Brian seem childish, but makes everything he said in previous episodes unimportant. So it is impossible to take his atheism seriously.
There was also the misfortune of Brian actually trying to force Lois to kiss him (maybe even more) in “Play it again, Brian”, a episode from season six. This act of creepiness and slight (though significant) violence towards a woman was before he was outed as an atheist (in a later season), which in a way makes him a lost case as a “model” for an acceptable and representative non-believer from the start.
I want to like Brian’s character. Aside from Dr. House from “House” (who is a total stereotype of the mean, miserable atheist) and Dr. Temperance Brennan from “Bones”, Brian is one of the most mainstream portrayals of atheist in popular culture. Yet his character was made so completely unlikeable and unreliable in the later seasons of the show, it feels like a disfavor for non-religious people that Brian was ever made a openly atheist character.
Seth Macfarlane, the creator of “Family Guy” and voice talent of Brian, also made his other characters, Haylee Smith and Roger the alien from “American Dad!”, atheist. But even these characters don’t really do much for the atheist community. Haylee is bland and hardly does anything memorable, and Roger is a sociopath who seems able to be anything which can temporary satisfaction.
What is lacking from popular culture is an atheist character that is portrayed as likeable. Few Medias have done this.
Daria Morgendorffer, from the animated series “Daria”, was done well, and somewhat outed as an atheist in the last season. Also Mal from “Firefly” was a good atheist character: anti-hero who despite some flaws was a good person. However, these shows have been cancelled or are off the air now. I was hopeful Brian would be the next Daria or Mal, but no such luck. Seems like we atheists have to wait a little longer for a more positive depiction.
Sci-fi Speaks Of Us, Part 2 – Love In the Time Of Media Worship: Black Mirror’s Second Episode “15 Million Merits”
This post is my second and last part of the series “Sci-fi Speaks Of Us”. View the first part here.
The rough “Black Mirror” is a three part television drama series which aired in December 2011, which was created by the British journalist and passionate satirist Charlie Brooker. He was the writer for the first episode, “The National Anthem”, which was a political thriller. In “The National Anthem”, a prime minister is more or less pressured into having sex with a pig on live television. Peer pressure is also a heavy theme in the second episode of “Black Mirror”, co-written by Charlie Brooker and his wife, Konnie Huq. The final episode, “The Entire History Of You”, was however handled by comedic writer Jesse Armstrong.
All of the episodes took place in different realities and settings, but as Mr. Brooker himself said: “They’re (the episodes) are all about way we live now – and the way we might be living in 10 minutes’ time if we’re clumsy”. When explaining the title of the series, “Black Mirror”, Mr. Brooker stated: “If technology is a drug – and it does feel like a drug – then what, precisely, are the side-effects? This area – between delight and discomfort – is where Black Mirror, my new drama series, is set. The “Black Mirror” of the title is the one you’ll find on every wall, on every desk, in the palm of every hand: the cold, shiny screen of a TV, a monitor, a smartphone.”
“15 Million Merits” stars Daniel Kaluuya as Bing, who lives in a depraved dystopia where everyone is forced into harsh physical toil, the only escape being to earn enough money to enter a TV talent show called “Hot Shots”. Overweight people are stigmatized by obligatory yellow clothing, being the lowest class in this fictional society. Commercials are constantly forced upon people in their homes, where the walls are all screens – you can skip them only if you pay. In the overly commercial society, Bing lives a lonely life until he meets Abi, a sweet natured young woman who has a beautiful singing voice. Enchanted by her voice, Bing convinces Abi to appear on “Hot Shots”. Abi does, she sings and moves the audience to tears, but unfortunately the jury is not pleased. Abi is then pressured into a rotten deal and Bing is left heartbroken. Eventually, Bings broken heart eggs him on to find a way to speak out against the unjust system…
The “Black Mirror” episode “15 million Merits” offers social commentary in its finest form. Through a tragic love story, Mr. Brooker and Ms. Huq tackle issues as sizeism, commerciality, the cost of privatization, the dysfunctional dream of celebrity and peer pressure. The world created in “15 Million Merits” is due to the people’s obsession with fitness and materials, neglecting any depth. Both Abi and Bing try to bring some form of feeling into the viable world they live in only to conform into the system by the end. “15 Million Merits” is honest in its depiction of humans: some people do want to rebel against systems that are cruel. Simultaneously no one’s completely immune to peer pressure and thus lose their rebellious or unique nature.
The extreme prejudice towards overweight people imagined in this Dystopia is pretty chilling to watch. A newly morphed and highly exaggerated form of prejudice found in this future of the media image is one which we can readily recognize, the prejudice against people of a larger girth and bigger bodies. Our common stereotype that overweight people are food obsessed and total slobs is inflated in by the politics of distraction in this dystopian moment and the population of this time are served video games and television shows where this stereotype is used as the misguided focus where citizens are encouraged to humiliate and underscore their misconceptions of the large sized among them. “15 Million Merits” addresses the danger points of marginalizing people for their body types in our society (or any type of prejudice) and shows us how viewing the “other” in our midst is used by an oppressive society to distract the populace from the actual horrors being carried out upon them and us. The subtle and constructed loathing that which leads to plus-sized people being viewed as less worthy citizens and persons is used by the weighty hand of the dominating social system to defer the majority from seeing, and recognizing, the tangible arrangement of subjugation forced upon them.
Along with this indictment of the politics of prejudice this wonderful episode also delivers a scathing and exact depiction of reality television. Mr. Brookner seems to nestle with the beliefs of satirist Bill Maher who once said: “reality television is nothing but cruelty and people enjoying cruelty”. Imagining if cruelty were used by the system to make of a person’s life only this as the founding principle of existence, Mr. Brookner and company explore the politics of distain and how this forms the core of existential emptiness.
The Jury of “Hot Shots”
It is this deployment of prejudice and emptiness by a system, far removed from the living experience, which fuels and is critiqued in the horrifying future Mr. Brooker and Ms. Huq illustrate here. And, sadly, one which is most readily seen in the trajectories and moments of our lives lived now and the political and corporate systems which hope to contain us.
While the story line in “15 Million Merits” is great, the acting is also superb. Daniel Kalyyla and Jessica Brown Findlay are perfect in their roles as lonely outsiders, trying to find a connection in an isolating and media deadening world. (Spoiler alert!) I truly felt for the Bing and Abi as an unlucky couple, which made the ending all the sadder.
“15 Million Merits” is a must see for Science Fiction lovers.
Konnie Huq and Charlie Brooker