Tag Archive: Japanese Fiction


As a full time student and constant seeker of summer jobs, I have been neglecting my blog for quite awhile. I will try to change this right now, starting with a short post following a tag which many a book vlogger and blogger are sharing at the moment. It was created by Thebookarcher; you can visit her YouTube page here. Despite blogging about a lot of movies, cartoons and occasional political comment, (and despite that I wasn´t tagged by anyone to do this) but having written many a book review, I was quite eager to consider and reflect on these questions. Hopefully those that started the tag will not find it remiss that I write these questions in this post.
The tag consists of nine questions which I will list one at a time and proceed to answer. Unfortunately I will have to mention a lot of Swedish authors at times, since, due to living in Stockholm, I am exposed to lots of Swedish literature. It is also crucial to remember that these are just my opinions, and everyone is free to enjoy which ever books they enjoy.
1. A popular book or series that you didn´t like:

There´s actually many best sellers I just didn´t like at all, so I will mention just a few that I really, really didn´t like at all: “The brief wondrous life of Oscar Wao” by Junot Diaz was boring, way too long and its main character – Oscar – was much too self-involved and reckless to be likeable. The narrator, and narrative voice, is a single tone of an obnoxious womanizer, and worst of all the political oppression that is present in the book (specifically, the atrocities committed by former Dominican Republic dictator Trujillo) takes a back seat so that men can either brag or complain about their sex lives. “Fight club” by Chuck Palahniuk was well-written, but the plot was ridiculous and the plot twist made no sense. “Allt” by Martina Lowden is an 800-page book where the author whines about bus stops, postmodernism and tends to lists of all the books she reads akin to a casual grocery shop list – really not my thing.

Other books far from my favor: “Svinalängorna” by Susanna Alakoski (a black-and-white portrayal of Sweden Finns, where this group is heavily demonized), “Things Fall Apart” by Chinua Achebe (found it impossible to care about the protagonist), “The Great Gatsby”, “Kalla det vad fan ni vill” by Marjane Bakhtiari, “My friend Percy´s magical shoes” by Ulf Stark, “It´s just a little AIDS” by Sara Graner (I didn´t find it funny), “Willful Disregard” by Lena Anderson (a novel about a older man, younger woman cis, straight, white-Swedish, economically stable couple in which the man emotionally abuses the woman. The book, in its unreflective stance to the abuse, misguidingly thinks it´s saying something profound about love. The novel also lacks any character growth) and “The Sorrows of Young Werther” by Goethe (lots of people find this book romantic; I found it creepy).

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2. A popular book or series that everyone else seems to hate but you love:

Without a doubt, the novels of Nobel Prize winning Elfriede Jelinek for this one (maybe not popular, but most certainly infamous). She´s often accused of Misandry and writing grotesque pornography, but to be frank those accusations are entirely, and undoubtedly, unfair. Jelinek´s books tend towards the misanthropic if anything, but the misanthropy is not in vain. Jelinek´s prose is elegant, her sentences literary punches and the themes of her books are as relevant as they are universal: totalitarianism, fascism, and violence towards women to name a few. For a more in-depth view into my opinion on her work, go here.

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3. A love-triangle where the main character ended up with the person you did NOT want them to end up with OR an OTP that you don´t like:

I will give one example from both of those questions. The love-triangle where the girl ended up with the wrong guy in my opinion is from Guus Kuijer´s children´s book series “Polleke”, about a young Dutch girl and her life. The books tackle and discuss subjects such as arrange marriages, racism, drug addiction, child abduction and First native rights. (Spoiler): the protagonist Polleke ends up with her classmate Mimoun who´s she´s dated since the first book. However Mimoun is not a very supportive or particularly nice boyfriend; he yells at Polleke for kissing him (she´s not allowed to because she´s a girl) and cheats on her with her best friend. To be fair he was a likeable boy in the series first book, but becomes quite unintentionally cruel as the series progress. Polleke flirts with a farm boy who lives near her farming grandparents, but I didn´t really care for him either. Honestly the love triangle should have perhaps ended with Polleke becoming single since both of her love interests were kind of useless characters. An OTP I didn´t like was Harry and Ginny from the “Harry Potter”-books, which was a very rushed romance with clumsy build up and had a lack of chemistry.

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The covers for the “Polleke”-series

4. A Popular Genre you hardly reach for:

Fantasy, Detective novels, and Romance. Just don´t read much genre literature at all, really.

Dragons are awesome, however

Dragons are awesome, however

5. A popular or beloved character that you don´t like:

Fred and George from the “Harry Potter”-series. Out of all the colorful, imaginative characters I found these two to be extremely one-note, lazy (they don´t even try to get good grades!), bullish and slimy. They also are basically copies of one another; no distinctive trait that marks them from each other. Another beloved character I don´t care for is Puck from Shakespeare’s “A midsummer night’s dream” – all the messes could be avoided if it weren´t for him!

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6. A popular writer that you just can´t get into:

Again, I have quite a few. I can´t really get into the Nobel Prize winning Japanese writer Yasunara Kawabata – he´s a fantastic writer no doubt, but his works don´t really ever seem to coalesce into a plot, making the narrative line meander about for no reason. The characters rarely do anything of importance and once more the reader can find no line of thinking for this emptiness. For some these absences don’t matter, but I am continually frustrated by the question of what do these lacks mean. Another writer I just couldn’t ever get into was Yoshimoto Banana. I read two of her books, “Kitchen” and “Hardboiled & Hard luck” which were dull. Her plots are all over the place. The books also contained a lot of Heteronormativity. For instance in “Kitchen” the romantic leads continually misgenders the hero´s transgender mum. As a final note, her writing might improve if she would use the “Show, don´t tell”-technique more in her books.

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Per Nilsson, a Swedish young adult writer, also makes the list of writers I can´t quite stand; he romanticizes things such as stalking in his books, does a hand-wave towards anti-immigration and racism and honestly in my opinion doesn´t write women very well. With Nobel Prize winning writer Mo Yan, I also have issues with for his normalization of violence towards women and demonization of disabled people. In “Big breast and wide hips” the protagonist´s mother is repeatedly raped with it never really affecting her or the plot of the novel at all (in fact rape seems to be used just to victimize the mother). The writer Yiyun Li actually points out many of my issues with Mo Yan; go see a review where she points the problems out here. So yes, unfortunately Mr. Mo´s and Mr. Nilsson´s books are really not for me at all, to be honest I think there both pretty terrible writers.

I have this on my bookself, but I doubt it will ever be read...

I have this on my bookself, but I doubt it will ever be read…

7. A popular common trope that you´re tired of seeing:

My biggest complaint with books I dislike is often romanticized abuse. It´s exhausting to read books that have men who abuse women and children (and sometimes the protagonists male friends get into the abusive act as well) with the writers of these tales horrifically using the trope to either showcase their male protagonist as “real” tough men, or to position male possessiveness and entitlement as something to admire. Needless to say, I have no patience with such writing.

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8. A popular series that you have no interest in reading:

Quite a few actually. The “Divergent” series isn´t appealing to me, mostly because of it seems oddly anti-intellectual. I never had any interest reading the “Twilight Saga” (“Twilight” is one of the few books I never finished). Same goes for the “Fifty Shades”-trilogy. I also have avoided Stieg Larssons “Millennium”-trilogy like the plague since the things it was praised for you can find a ton of in Japanese and Finnish fiction (that were published before Larsson´s books), as well as some blatant male fantasy stuff. I am also avoiding the “My struggle” book series because those books are way too long (I am a university student, and there is homework!) as well as the writer Karl Ove Knausgård coming off as fairly arrogant and obnoxious (this usually wouldn’t matter, but the books are about himself, and his “Fight”…. so). While not a series per se, I am also not interested in Harukumi Murasaki. None of the praise has gotten me curious, unfortunately.

Hoever, the english tranlations do have much more creative titles than the original titles

However, the english tranlations do have much more creative titles than the original titles

9. The saying goes that “The book is always better than the movie”. But which movie adaption did you prefer to the book?

“Carrie” directed by Brian De Palma. While the novel is very good, the movie was able to build up the suspense better.

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Over at the YouTube Channel “Screenjunkies” there was a lively discussion about film adaptations, regarding a panel discussion of what were the most and least well made adaptations of comic genre and, its close companion, the Graphic novel*. The video panel discussion ended with a question to the viewers regarding what comic/graphic novel they would most like to see get adapted to film. After pondering this question for a while, I came to the conclusion that only naming a few would not be fair, since, within the entire history of Alternative Comics, some truly remarkable stories have been told, and, in their breathtaking and compelling sweep of ideas and vision, would lend themselves well to a big screen incarnation.

1.“Shortcomings” by Adrian Tomine: A cynical look on race, Tomine’s masterpiece centers on the unsympathetic Ben. His girlfriend Miko accuses him often of being ashamed of his Japanese heritage, which she in returned is extremely proud of. She also accuses him of having an obsession with white women, which Ben laughs at. However, once Miko decides to leave for New York for a couple of months, Ben decides to replace Miko with a white woman (proving Miko´s discomfort to be accurate). When all does not go as planned, Ben flies to New York to meet Miko and becomes obsessively jealous when it turns out Miko is dating someone else.

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“Shortcomings” is about flawed people engulfed in a racist society, mixing character study with harsh social commentary. Ben in his hypocrisy claims he does not want to be a victim, but simultaneously has become so unlikeable and hypocritical because of the white supremacist emasculation of Asian men. Miko has her own prejudices as well, but ultimately finds empowerment in her pride. The comic also addresses race fetishazation, and explores the myth of White normativety as desirable. A film adaption that would also include the comic’s social commentary would be a brave move, but no doubt an ultimately enjoyable film.

Cover of "Shortcomings"

Cover of “Shortcomings”

2. “X-Day 1&2” by Setona Mizushiro: This manga is famous among those who like their manga and anime more close to “real life”. The plot centers around three students and one teacher who due to personal difficulties, decide, via an internet chat room, to blow up the school they attend and work at. The biology teacher, using the pseudonym “Jangalian”, due to being stalked by the principals daughter; is engulfed in a sense of powerless exasperated by the unending claims of the school’s principal that Jangalian has slept with his out of control daughter (he hasn´t). The school principle continually foists the blame for her behavior on the victimized Jangalian. Mr. Money, a male student, has an abusive mother. 11, a former popular athlete, is entrapped in the insecurity that other women continually strip her of boyfriends and friends, and Polaris is crippled by shyness unless she wears gothic Lolita clothes, which the school prohibits.

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While the beginning of this Manga feels like it will be a dark terror story, the four start to reach out to each other and common bound circumventing the planning the attack through friendship. Mizushiro doesn´t shy away from depicting youth sexuality and loneliness, and boldly illustrates four lost souls who find solace in each other. The characters captivate and possess you, making the reader cheer for the melancholic protagonists to overcome their situations. With protagonists like these, this adaption could very well become a classic Anime movie.

Read left to right, dear folks!

Pages from “X-Day 1”. Read left to right, dear folks!

3. “Tuuli ja Mursky” (“Wind and the Storm”) by Tiitu Takalo – In a time where every woman is in one way or another affected by the misogyny of rape culture, it seems like an appropriate moment for an adaptation of a Graphic novel which addresses every aspect of that said culture. The comic centers around a group of young feminists who discover the fact that one of their members, Miira, has been raped at a party. Miira doesn´t want to report the horrid incident of abuse to the police, but still wishes her rapist to be exposed. Her friends do what they can by putting up posters, talking to people who had attended the party, and so on; but after being constantly shut down and silenced in their quest for justice, the young women grow angry and begin to consider more lethal means.

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The comic discusses repressions and prejudices victims of sexual abuse face, and the rampant misconceptions people have of the rapist and the culture that empowers their acts of violence. The boy who perpetuates the abuse to Miira in this tale, is an unquestioned friend and wildly known to be a pleasant fellow resonating the plot of the story with one of the most popular misconceptions about rapist/sexual abusers as a repulsive persona, mean-spirited and outside of society. Holding strong with the truth of rapists in a rape culture this comic confronts us with the reality of the nice fellow simultaneously hiding the most abusive of tendencies.
Miira had passed out at the party and the collection of friends find that many of the people involved in their inquiry try to convince the group that the incident was Miira fault, ignoring the fact that her abuser intentionally choose to extremely violate both her body and trust.

Cover for "Tuuli ja Myrsky"

Cover for “Tuuli ja Myrsky”

The novel also addresses how rape culture affects men. The male ally of the group talks about how men are also afraid of walking alone during the night but due to the extreme pressures of an overburdening Macho culture are not allowed to admit such a simple fact. He also subjects within the story, when confronted with the rapist and his actions, merely berates the rapist for his behavior, stating that the abusers actions makes all men look like would-be rapists and chews the rapist out for ignoring the sphere of pain the act caused in action and aftermath to the actual victim of the molestation.

Ms. Tiitu Takalo

Ms. Tiitu Takalo

This Graphic Novel is regrettably underrated and is an exciting story that subverts the Rape-Revenge genre, while also addressing the issue of sexual violence in an in depth and serious manor. The issues it discusses cannot be more relevant and urgent, and the comic, while it should become more of staple stock to the lovers of the Graphic Novel genre, would do superbly as a filmic work.

The posters, saying: "Warning! Rapist!"

The posters, saying: “Warning! Rapist!”

4. “My friend Dahmer” by Derf Backderf: This is a chilling graphic memoir that came out just couple years ago. The story focuses not on the author himself, but his former classmate, Jeffrey Dahmer. In a society which obsesses over serial killers and the atrocious crimes they commit, “My Friend Dahmer” shifts the focus from the gruesome killings to an investigation of a teenage Dahmer who pointlessly grows to adulthood to become a monster. Backderf, who had acquaintance with Dahmer, puts together his own memories as well as memories Dahmer gave in interviews, envisioning for us a lonely, weird teenager who already at a young age showed disturbing behavior. Despite the red flags that even a teenage Backderf recognized, the adults revolving around the teen Dahmer didn’t ever pick up on the deviant behaviors, neither did they interact with him to exasperate his deviations. We find a wildly out of control Dahmer, in an attempt to get rid of his fantasies of necrophilia and killing, turning to heavy drinking, and where Dahmer’s only laughter is found with students who through their clumsiness hurt themsleves and others. Yet no adult ever intervenes.

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The story is powerful in it´s message: the troubled child didn´t have to end up killing people. Backderf wisely says that while our sympathy for Dahmer must end when he started killing, it should be still be noted that he once was a troubled teenager who adults failed. In this extreme case, “My Friend Dafmer” makes a convincing case for social and psychological support for children and teenagers. Ignoring young ones with problems will not make the problem go away. It will only be a problem which will lead to more evils. In worse case scenarios, ignoring a child who is having difficulties may cost innocent lives; a truly unnecessary sacrifice.

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5. “Epileptic” by David B.: Here is another memoir which does not star the author. Instead the story concentrates on the plight of the struggles of David B’s epileptic brother and the labor of a family attempting to cope. It depicts a happy childhood until one day, Davids brother Jean-Christophe gets a seizure. This leads the family to seek hills and mountains for a cure and, as time goes on, makes a once cheerful child into a bitter, mean spirited youngster and a depressed adult. This graphic novel starts off with a child’s perspective, where imagination and stories run wild and, as it unfolds, turns towards the surrealistic, where we find David and Jean-Christophe entrenched and entrapped within a fantasy in order to merely communicate. Jean-Christophe is put through several trials, in which he often is met with ableism. When he has seizures, people stare and make insensitive comments, as if he is childishly acting up or merely play-acting for attention. Jean-Christophe, in his spiral of suffering, becomes isolated from his peers, and as a teenager, while in the simple act of befriending a small boy, finds himself instead being accused of child molestation. David notes how the stigma of his brothers struggle haunts him into his adult life, when he recounts a conversation with a girlfriend which ends with the ultimatum that if they have a child, he has to make sure his genes are perfectly healthy since she “does not want any of his families illnesses”.

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Image from “Epileptic”; illustrating the prejudices aimed at David´s Brother

The book is spell-binding and tragic in its depiction of family life and society, where everything always seems to go wrong. David´s depictions are cryptic, but also loving towards his unfortunate, impossible brother. A truly remarkable read, it would no doubt be a film that would give animators free hands to simultaneously make wild drawings while also clutching the viewers hearts.

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6. “Elfriede – en dystopi” (“Elfriede – a dystopia”) by Åsa Grennvall: Now here´s a graphic novel that would be a real challenge to adapt. “Elfriede”, unlike the other graphic novels on this list, does not tell a straight story. In fact this tale is entirely a character study. It follows a middle age woman named Elfriede, who is extremely cynical and bitter about the world. She takes us through her job where she condescendingly describes her boss (whom according to her shouldn´t be able to get his job done but somehow does), how she tries not to get involved when a female co-worker ask for comfort and advice regarding her physically abusive boyfriend (since Elfriede´s attempts to help her before only end up with the co-worker getting angry at Elfriede and going back to her boyfriend anyway), and how she hates her happy-go-lucky friend. She talks about her children, who she hopes don’t hate her as much as she hates her parents. Elfriede speaks frankly of how she is doing a countdown to her death and how she believes humanity is doomed due to it´s own ignorance. This story should fail, but due to Grennvalls gifted talents it is instead a work of genius in its unique concept and visualization. Elfriede’s life becomes fascinating in a tale where the reader is brought to understand Elfriede and dreadfully notices that Elfriede has legitimate points within the context of her life.

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Bitterness is a very uncommon theme in fiction, which is a shame because, if used well, can make for a uncomfortably interesting read and an fascinating exploration of what we are in an indifferent world. “Elfriede – a dystopia” is a good testament of the many alternatives of life and our emotional responses to it, and a film adaption would make an interesting addition to the animated exploration of the existential.

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7. “Smile” by Raina Telgemeler: Remember when you were a teenager who hated the way you looked? Well, then you should definitely read this graphic memoir “Smile”. This tale follows the struggles of the protagonist with her dental care, where, after an accident, her teeth need intensive management and repair. Raina feels painfully insecure about her reconstituted teeth, and her teeth become the focus of fear about being different from her fellow classmates. Raina faces a lot of peer pressure and frustration when growing up, while also feeling the pain of bracelets which engulf her teeth and expose her as different in the mere acts of smiling or talking.
This graphic novel is an honest memoir that shows Raina at times as unpleasant as the worst about her, but also as sweet and secure at the oddest of moments.

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The best parts in the memoir, though, are the details about her friends, who, instead of being a reserve of comfort and connectedness, belittle and seem to find joy in bossing her about in her new outsider state. Though it takes time, as Raina grows older within the story, she acquires the strength to say no to her friends and in her blossoming confidence is even able to find less toxic friends.

This memoir is funny and very relatable and speaks to the growing pains that ring so true to many young girls and women. Now, with Young Adult film adaptation’s so popular, this tale, with its insightful teenage explorations, would make perfect sense to adapt to the filmic media. As an extra bonus, Ms. Telgemer has recently published another graphic memoir titled “Sisters”, which I for one can´t wait to read!

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8. “Moomins: The policeofficer´s nephew” by Lars Jansson: Technically cheating since this is a comic strip, but this supposedly younger readers graphic tale would be an interesting and extremely brave adaptation. Over at Flavorwire this “storybook” is found listed this as one of the children´s books that deserve a re-boot, and indeed, while the cartoon show which was based on the books is good, it still lacks a lot of the more philosophical and political themes which the Moomin books are famous for. The comics, while not always as good, were at best as sharp as the original stories. Especially we can note this comic series springing from the originals, where the police officers nephew comes for a visit to Moomin valley and decides he suddenly wants to become a policeman himself. Unfortunately this leads to a slew of over-enthusiastic actions leading him to harangue and arrest the innocent populace of the tranquil valley. To thwart the worst of the Nephews actions his Uncle claims there is an illegal drug trade in Moominvalley, hoping this will distract him. Yet instead of diverting the authoritarian behavior of the nephew it only makes things worse.

Muumit Brysselissä

This comic is as bizarre as it is funny and takes enormous risks, inside of this genre, in making references to both marijuana, cocaine as well as opium. Naturally, this comic is a critique of the social ideal of the police officer having definitive, unquestioned power within all encounters and situations, and of the drug panic which our society reacts to blindly (and criminalizes). While it can be argued that perhaps this comic is not exactly for young children, it still could pass for young adults and adults. The comic isn’t afraid of poking fun at authority while keeping the Moomins pure hearted and kind towards the misguided nephew. It is a truly odd, fun read and would most likely stir debate and laughter as a film.

Not from the same story line, but still funny!

Not from the same story line, but still funny!

9. “Army of God” by David Axe and Tim Hamilton: This is journalism in the form of comics, similar to the work of Joe Sacco (author of the classic “Palestine”). A little while back there was a lot of controversy over the video “Kony 2012”. Most reactions and opinions were spontaneous, though heartfelt, but few really got to get a clear picture of the ideology and actions perpetuated by the Kony “movement” in the Congo. In this comic, two journalists give a short introduction to the Congo´s modern history, what exactly the “Lord Resistance Army” (Kony´s terrorist group) is, about the international movement to stop “LDR”, and most importantly tells the story of few of Kony´s victims. It would be a great documentary film if adapted, and a much needed one, since it is hard to get real, concrete facts and information about the horrors LDR have committed.

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10. Nearly the entire comic output of Nina Hemmingsson: Ms. Hemmingsson is a Swedish comic artist who has become famous for her short comics about a socially inept young woman. Her collected works include “I am your girlfriend now”, “My beautiful eyes” and “It´s hard to be Elvis in Uppsala”**. Her works are witty, dark and hilarious. Addressing gender stereotypes and norms, her work details in a personal and bizarre fashion telling of the tireless exploration of characters pushing against convention while continuing the battle of being themselves. In a film adaptation it would be a interesting experiment of following multiple story lines and situations, bursting with awesome social commentary.

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For example, the story “I dated a Buddhist”*** is a sharp, funny commentary of white westerners who practice a form of “Buddhism”, simultaneously watering it down and not being entirely understanding about the real roots of the faith (i.e. committing cultural appropriation), all the while using their “enlightened faith” to elevate themselves amongst their peers and depress-shame others who inadvertently find themselves in their company. Another story depicts a young girl getting on a buss after a riding lesson. The driver makes a comment about all girls loving horses to which the young girl responds to gently point out that boys can also like horses and horse riding. This insight gets the young girl shut down in the conversation as soon as she indicates the sexist assumptions and absurdity of the discussion.

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One of Hemmingssons strips……” The young man encourages the older woman to express herself, the woman conveys her frustration and suggests a sexual liasion between them. The man quickly notes that some self-censorship is still advised.”

A common core to the story arc of Hemingsson’s tales is the positioning of the weird and wondrous protagonist to reflect the conditions of real life in a melancholic yet hopeful way. In the end of the day, a film version of these kind of stories would be great. Who doesn´t need some laughter nowadays?
So there´s my list. What do you readers think? Any other comics/graphic novels/graphic memoirs you would like to see a film adaption of?

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*For anyone interested, the very best comic/graphic novel adaptations done to date are “Persepolis” and the television adaptation of “The Boondocks” (specifically season 1 and 2).

persepolis** My own translations.

*** My own translations.

“Pain, without love/ Pain, I can’t get enough pain/ I like it rough ‘Cause I’d rather feel pain than nothing, nothing at all” – Three Days Grace, “Pain”

(This review will not be spoiler free. This review also may be triggering for discussions of rape and violence.)

Hitomi Kanehara was a high school dropout and wrote her debut, “Snakes and Earrings”, when she was nineteen years old. It won the “Akutagawa Prize” (one of the most valued literary prizes in Japan) in 2003. One of the judges was the well-respected bestselling novelist Ryū Murakami. In a foreword he wrote for “Snakes and Earrings”, Mr. Murakami praised the novel for its perfect depiction of the angst and existential troubles one can suffer while being (as well as due to existing as one) a teenager. He speculated that one of the reasons why Ms. Kanehara succeeds in this so well would be because she wrote the novel when still a teenager herself.

Ms. Hitomi Kanehara

“Snakes and Earrings” starts with the nineteen-year old Lui meeting the punk-styled Ama and his split-tongue. Lui becomes immediately and extremely eager to get her tongue pierced, the first step in getting it split. She suddenly wishes to cover herself in tattoos and piercings, much to Ama’s surprise, since she’s a so-called “Barbiegirl”. When the two become a couple it turns out that Ama is a very sweet-natured and cuddly lover despite his “scary” looks. However he is violently overly protective of Lui and therefore beats a man to possible death after the man harassed Lui. Lui fiercely claims that she does not care much about Ama. She then tries her best to make sure Ama doesn’t get caught by the police, contradicting her many statements.

Ama and Lui, from the cinematic adaption of “Snakes And Earrings”

However, despite Ama having a clear dark side, Lui is frustrated by his mild and loving care of her. Her longing for roughness and self-destruction are found in the sadistic tattoo artist Shida, who she starts an affair with. Shida constantly threatens Lui that he may end up killing her eventually. Shida makes it clear that he also would enjoy such an act very much. He’s also extremely violent towards Lui during sex. Kanehara uses those narrative sequences to describe Lui’s relationship to herself, her body and sexuality: exploring the thoughts which Lui has regarding what Shida will do to her, and playing these against musings about what other men have done to her during sex, some of which she strongly disliked. However it seems Lui wasn’t able to protest against these events. An eerie feeling is created that suggests Lui doesn’t ever get a say or control of the situation when having sex – in a way she’s always literally at the mercy of the men. But when with Shida, Lui becomes intoxicated with the possibility of her own annihilation.

This theme is continued in a scene where, while eating dinner with Ama and Shida at a restaurant, Lui wonders whether it will be Ama who will kill her (due to him finding out about her unfaithfulness) or Shida (who even at the restaurant whispers to her how much he longs to kill her). Lui states this as a matter of fact and as a curiously indifferent quiz question. Lui bathes herself in destruction and the threat of death is all a part of the new life of suffering.

Kanehara cleverly describes how Lui feels such disconnection from the society and life that she can`t care about herself nor keep herself safe in the midst of the acts of her own living . She longs for pain, since as she frankly states: “I need it to feel anything”. Lui isn’t close to her family and doesn’t seem to have any close friends (only one appears briefly in the novel and Lui doesn’t seem that close to her) and hates the only job she’s ever had. The job in question being to serve and host rich men who have “important business” meetings at the bar where she’s employed. The job is illustrated as a work place where young girls giggle and smile and act as cute as possible to please men, i.e. acting out a role usually expected from women in patriarchic societies. Lui states she is very good at this job. So good in fact that many men leave her their phone numbers. Lui then adds: “But it’s not me their interested in, it’s the role I play that their interested in”. In a following inner thought Lui comments on how most people mistake her for an orphan. This is a subtle hint that Lui as a person comes off as quit alone and separated from all in the world.

Lui, being unable to make meaningful connections and being forced to act cute by society, rebels destructively by just adapting another submissive and self-annihilating role. Society, being both empty and colorful, has driven Lui to seek the exact opposite. Yet due to the operations of the patriarchic world, even her rebellion can only lead to her being exploited.

Lui is not only self-destructive by staying in relationships where she may end up dying, but she’s also an alcoholic. Ama points out how Lui is basically dependent of alcohol, which she disregards with anger. Kanehara uses the addiction to drink, and the deadly spiral it creates, to depict Lui as a person consumed by nihilism. But this nihilism is founded on the deadly, but logical, reaction to society which gives her no choices or possibilities of action. Lui’s decisions are clearly not healthy. While her nihilism stops her from making better decisions in life, what alternative is possible in a life stripped of possibility?

Cover of the Finnish translation of “Snakes and Earrings”

“Snakes and Earrings” is a great portrayal of harsh numbness. However, in the novel, the presentation of bisexual men is more than a little troublesome. Shida, the sadistic tattoo artist, mentions early to Lui that he enjoys sleeping with men (when he’s about to sleep with Lui). That Shida is sexually disturbed is hinted at from his very first interaction with Lui when he states in a serious tone to her, during their first encounter, that he would like to stab Lui in the neck. His most disturbing traits are continually displayed in the novels narrative through the token of his bisexuality. Along with this troubling thread in the tale we find throughout the novel Kanehara has her characters, consistently position the act of the bisexual as peculiar, and moving, always, on the fringe of meaningless destruction. To explain furthermore, I’ll have to explain the turning point of the novel.

Cover of Swedish translation of “Snakes and Earrings”

Near the novels end, Ama goes missing. He is later found dead with clear signs of being brutally tortured before being killed. Lui’s reaction to this news is surprisingly emotional. She suffers depression and feels guilty over not getting to know Ama more (she worries that their last exchange of dialogue was so nonchalant). She stops eating entirely and only drinks. Lui, for a mere moment in the text, starts to care for something and engage with relations. However, she is quickly called in by the police who have discovered that Ama was raped before being killed. The Policemen start off asking Lui, before telling about their recent discovery, if Ama had any “bisexual tendencies”. Lui says she doubts it and that she is certain that Ama was completely heterosexual. A conclusion she makes since as she says: “his way of having sex was so normal that I was sometimes fairly bored”. A policeman then explains that they discovered that Ama was also raped before being murdered. This whole sequence boggles the mind on so many levels. Why did the policemen assume Ama was bisexual? They state that he was raped by another man, not having consensual sex with one. It is highly problematic that the policeman makes assumptions of a victim’s sexuality due to the crime committed towards them. A crime such as rape should never be seen as a reveal of sorts on the victim’s personality, besides that they have experienced something horrid. The way the policemen put it makes it sounds as if they would be trying to find out if Ama was somehow “asking for it” or somewhat responsible for getting raped (i.e. Victim Blaming). Portraying a situation like this wouldn’t be problematic if the author included a critical tone to the prose or had her protagonist question such mentality, but such protests, or even hints of disquiet about the direction of the conversation, are completely lacking in this scene. Also, by having the novel’s protagonist decide that Ama couldn’t possibly be bisexual since he’s way of having sex was too “normal”, Kanehara makes the implication that bisexuality is similar to having an appetite for “unusual” sex. Such viewpoints boggle the mind and we hope, and not find within the narrative, any alarm with this train of thought.

Lui then figures out that Shida was the one who raped, tortured and killed Ama. Lui however still decides to stay with Shida, this decision being her final act of nihilism. This is a great ending since it does demonstrate Lui’s complete lack of caring, feeling or belief for anything. However by making Shida, the most disturb person in the novel, into a complete monster and also the only non-heterosexual character in the novel, this twist ends up also sending the message that bisexual men, just by nature of being bisexual, are dangerous and predatory. This is a stereotype that has been detailed many times in fiction regarding the bisexual man, and one which also rears its ugly head regarding gay men as well. “Snakes and Earrings” therefore just repeats an old nasty caricature of the non-heterosexual men, and takes what should be a great and forceful ending and undermines it (not to mention makes this strong story have the taste of extremely non-progressive morality tale).

“Snakes and Earrings” is a very short, but disturbing and intense read. Despite its huge flaws, “Snakes and Earrings” is well worth checking out.