Tag Archive: Documentaries


Today is National Sami Day! It´s a day that celebrates a small ingenious group of people who exist traditionally in the northern regions of Norway, Finland, Sweden and Russia (Sápmi or Lapland). The Sami, commonly known under the moniker Laps or Laplanders, are Caucasians and were previously nomads, before the involvement of others made this impossible. They have a language of their own, known as Sami, who consists of many different types: Northern sami, Inari sami and Southern Sami being the three biggest ones. As with any ingenious groups, centuries of oppression has made their own original faiths come under siege and their own way of life has been nearly forgotten, meaning many of the younger Sami people do not have access to the Sami language, or find the means to speak it fluently. Discrimination is a huge problem for today’s Samis, who face racism and aggressive nationalism from the non-ingenious Swedes, Finns and Norwegians. Simultaneously, with growing awareness of the culture and vibrancy of the Sami people, Finland and Norway have signed the Ilo-Convention, and Sami is protected under the Swedish law as a “Minority language”. In honor of the Scandinavian national day of the Sami, I will review a documentary that consists of both of a generalized cultural history of these people and moving personal view of living as a Sami in the modern age.

Norwegian Sami People in traditional clothing

Norwegian Sami People in traditional clothing

The title of the film, “Jouguan”, means “Jojk” in Sami, a traditional voice device of singing in the Sami culture. It consists of a mixture of humming and singing, where the words are slightly hummed out. The documentary, directed by Maj Lis Skaltje, contains interviews from Norwey, Sweden and Finland. The people being interviewed are all Sami, with the exception of the narrative contextualization of a few historians. The film samples a large and divergent range of different aged Sami people, the oldest being near 80 and 90, while the youngest reside in their teens. Some of the Samis being interviewed live in Sami areas (similar to Indian reservations that exist in the states) and some live in cities. The interviews consist of colorful, funny, insightful and heart-breaking stories.

The significance of what the jojk means to each Sami is touched upon and indicate the wide range of explanations, motivations and motives in which the jojk resides and resonates for the Sami culture. One of the mainstays of the jojk is the Sami use for the herding of reindeer, which is the traditional life style in Sami communities. The Samis were originally entirely dependent on the reindeer, and used them for clothing, food and traveling. The reindeer respond to the humming, especially when it´s their owner who is singing. In this way the jojk is tied with other traditions. Other Samis, both young and old, use the jojk as a way to pay tribute to their family members and different aspects of nature. For instance one of the first interviews Ms. Skaltje did was of two brothers living in Soppero (a Sami area nearby Kiruna, in Sweden) who sing their own jojks dedicated to each other with a heart-warming earnestness. She also interviews a middle-age man who jojks about his cat, with a hilariously accurate mimic. Ms. Sakltje interviews another middle aged man who uses the jojk to learn Sami language, since he grew up with parents who decided not to teach him Sami. The man explains that the Sami have many different ways of expressing their ethic identity; for some speaking the language is the most essential, for others reindeer herding take on the cultural task, and for others the making of the traditional clothing comes to implant them in their cultural identities. For him, personally, the jojking is the most important means to connect with the tone of the cultural roots of the Sami, since he feels like it is a way for him to get in touch with his historical ethnicity and to express his personal emotions regarding this, and his, distinctiveness freely.

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“Jouguans” ample and various interviews give a multi-layered and effervescent depiction of the Scandinavian indigenous people. The Sami in this film have different ways of relating to their heritage and culture and the singing is as unique as every one of the personality we meet within the documentary. The singing is shown as not merely a decorative, exotic type of “folk” singing but a cultural reverberating strength and a resilient personal exploration for each member of this pressured group. The documentary masterfully shows how the songs are used for work, humor, expressions of love and lost, and also for speaking of difficult times that the Sami have gone through. And continue to do so.

Swedish poster of the movie

Swedish poster of the movie

Along with the strength of the diverse interviews, “Jouguans” also explores the historical trajectory of the many ways Samis have been persecuted throughout the ages and the many countries they have inhabited. The jojk, as well as the traditional drum the Sami used when singing, was seen by the Christians as heretical and devotedly antithetical to Christian teaching. Because of this, along with other cultural factors, Sami people were commonly accused of witchcraft during the middle ages and all the way to the 17th century many of them found themselves accused of heresy, or worse, and burned at the stake. This was quite common in Norway, where up to 20% of the people executed for witchcraft were found within the Sami population (both men and women).

One of the many types of drums used by the Sami

One of the many types of drums used by the Sami

The director Maj Lis Skaltje herself speaks openly in the film about her childhood, where she was, due to her Sami roots, marked as unclean by the eugenics policy and testing that dominated in Swedish politics in the 40 to 60´s. While the Sami people were spared from forced sterilization in the Swedish context (a fate that many poor and mentally/physically disabled and women accused of “promiscuousness” had to endure) they were still forcibly and geographically isolated from society and, being deemed a lower people, could therefore not be tolerated to mix with the purer, higher Swedish type. Ms. Skaltje describes how she grew up ashamed of herself, too frightened to even dare speak her own mother tongue. Jojking, along with the fear and avoidance of the Sami Tongue, was seen in this age as a dirty, devilish, and barbaric act.

Another type of traditional clothing (all are made out of reindeer fur)

Another type of traditional clothing (all are made out of reindeer fur)

The Narrative trace of “Jouguans” engulfs us in these facts and personal stories both shock and move us, but does not let us give ourselves forgiveness for these deeds. As with any ingenious group, the Sami´s history is, still and robustly, erased in common history lessons in Scandinavia. The hard and divisive struggles of the Sami are not often discussed in society nor seen as important in the national dialogues of the many states in which the Sami now find themselves. Because of this the mere reiteration of Ms. Skaltje own story becomes a courageous, radical political act of the voice of the forgotten, and brings forth the truth of the systematic oppression the Sami have faced.
“Jojk” is an extraordinary documentary, with a rich character gallery, great music and captivating history. It´s shots are gorgeous; everything just works in this film. So on this day, when we celebrate the Samis heritage and history, it is hugely recommended to go see this movie to learn a great deal about both!

International Sami Flag

International Sami Flag

(This post is the fourth part in mt series “Torture Awareness Month”)

After the scandals of the leaked photographs from the Abu Grahab prison, torture has been a hot political button. So much so that one of the big promises President Obama made during his presidential election was to close down the most obvious and famous of the detention centers performing torture (most infamously “water boarding”) on its prisoners, Guantanamo Bay. During the Bush Administration many human rights activist and groups held massive campaigns to bring attention to the secret prisons (black sites) and the torture that was carried on incessantly there. One of the most horrific and problematic situations this culture of torture instigated was to draw out a slew of politicians who came to justify, lie or downplay the abuse prisoners faced in these secret prisons. Recently the use of torture under the Bush administration came again to the attention of the world and we found ourselves again confronted with many a politician again responding to the most ignoble and abusive of tortures with either denial or with the literal argument that “what´s done is done, let´s forget it and move on”. Such mentalilites was even mocked on “The Colbert Report”.

One of Amnesty´s many campaigns

One of Amnesty´s many campaigns

Since the resurgence of the use of torture by supposedly Open Democracies, and their justifications as appropriate abuse (John Yoo’s legal justification for torture absolving the Bush Administration most notably), many documentaries have been made on this subject in the contemporary era. In this blog post, I will shortly review these three documentaries: “Taxi to the Dark Side”, about the death of a young Afghan taxi driver due to torture, “Standard Operating Procedure”, where the soldiers at the focus of the Abu Gharab torture scandal are interviewed, and “The Road to Guantanamo” recounting the tale of random atrociousness which placed three young men at Guantanamo.

“Taxi To the Dark side” (2007) is in my opinion the best documentary out of these three. The documentary was the second film in the BBC series “Why Democracy?”, was directed by Alex Gibney and won an Oscar for best documentary. It interviews former guards, politicians, former prisoners, and the family of a killed prisoner to give a whole picture of the politics and the rising culture of torture coming to the fore at the time. The film critiques the use of torture most effectively by the means of focusing on the one particular case of the afghan taxi driver, Dilawar, who is arrested arbitrarily and tortured without constraint. The case of Dilawar is shown bit by bit and we follow the vile pathway of how he is detained only because his customer was deemed suspicious, how he is subjugated to a torture founded on meaningless abuse and power, and finds his fate ultimately in his unjustified killing.

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The Documentary film makers cleverly let those propounding pro-torture state their arguments and then later ply a decisive deconstruction to these that arguments mauling the pro-torture stance through facts. The case of the death of Dilawar is dealt with delicately and with candor, and the film even flits with a not completely unsympathetic view to the ordinary soldiers caught in the machinery of torture at Bagram imposed upon them from within and without restraint. In contradistinction to the nowadays abusive practices the filmmakers find an alternative to the abusive practices in a former war interrogator who worked during WWII. The Former interrogator from WWII expresses great sorrow and revulsion to the emerging status quo and that the states has fallen into the disgrace by using torture. The film is an emotional watch, but well worth the while.

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“Standard Operating Procedure” (2008) is a documentary directed Erroll Morris, who also directed such classic documentaries as “The Thin Blue Line” and “Tabloit”. In this documentary he examines the history of the horrific photos leaked from the Abu Gharab prison. The soldiers that are in the photos and who took the photos are interviewed, and Morris, giving insight to the mentalities of the Prison, details other incidents within the world of the US Military and the White Houses move towards a normalcy of abuse to clarify the abusive photo moments of Abu Gharab which hold us in disgust. Morris´ film is much more stylistic and cinematic than “Taxi to the dark side”, but leaves less of an emotional impact. While in “Taxi to the dark side” one guard admitted that he wished that he would have gone with his own conscience, none of the guards interviewed in “Standard Operation Procedure” show any signs of reflection on their crimes. The film shows that the torture, that allegedly was meant to help the US find Saddam Hussein, didn´t lead anywhere and resulted in random torture and at least the death of one prisoner (captured in one of the photos). SOP follows how the original Abu Gharab was founded as to be used as a torture machine and execution site for and during the regime of Saddam Hussein, which was then quickly converted to be used, in a like manner, as a torture chamber by the American Military. The film isn´t as clear in its critique as “Taxi to the dark side”, but it does show how soldiers use all forms of rationalization to justify their actions and the political turmoil of the Bush Era which lead to the scandals.

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“The Road to Guantanamo” (2006) illustrates the torture scandals from a more personal point of view. The film focuses on three British citizens of Pakistani descent who were captured by military forces and detained unlawfully for years. The film director hired actors to portray the young men, who re-enact past incidents while filling these staged sets with stories directly from the protagonists.

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The director, Michael Winterbottom, won the Silver bear for best director in the 56th Berlin film festival for this documentary and it is hardly a surprise since the film manages to be an intense true tale resembling a dark thriller while also delivering a harsh truth about corrupt, racist systems. The three interviewed men walk the audience through their experience; they explain that they traveled to Afghanistan to do humanitarian aid, but ending up just witnessing bombings. They later get arrested, but when discovering that they are being held by American military, grow hopeful that they will not be unfairly threated. Unfortunately this does not happen; they are detained, tortured and starved. This experience shakes the world view of the three men as they come to experience incarceration and torture without reprise or meaning and to this moment haunts them as possible from anywhere and from anybody. Tightly focused on the emotions and thoughts on the three protagonists, this is a documentary which is viscerally from the torture survivor’s point of view, and this documentary came to inspired more films to allow torture survivors to tell their stories*. Holding its own in creative filmmaking while pluming a subject which makes us recoil in shock, “The Road to Guantanamo” holds out as all-around good and solid work of film.

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All three films bring different angles and views to the torture used by the Bush Administration, and deserve to be viewed. The subject matter is always dealt with wisdom and, due to their unyielding candor regarding the subject set into such dark places of the human mind, show uncomfortable truths about the war on terror.

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*For example, A Finnish documentary named “After Life – 4 stories of torture” (directed by Mervi Junkkonen in 2011) interviews four refugee men who tell about their experiences with torture and the impact it has had on their lives. A similar documentary was also made in 2012, named “Beneath the blindfold” (directed by Ines Sommer and Kathy Berger) which also consist of four survivors speaking out.